Unfortunately, Green’s victim-blaming beliefs about sexual assault aren’t surprising, because they aren’t new. From celebrities who sing about supposed “blurred lines” to politicians like Todd Akin who use language like “legitimate rape” to lawyers like the one in Steubenville, Ohio, who claimed that a victim’s silence implies consent, it’s clear that Green’s comments are the rule rather than the exception in our cultural reality. They point to a profound misunderstanding at every level of society of what consent actually looks like. — Mic’s Elizabeth Plank in CeeLo Green’s Disgusting Comments Prove Rape Culture Is Alive and Well.
It has been a slow week of reruns, so this happened.
FJP: Looks familiar but we love your questions so ask away.
Via @darth on #RuinAMagazine.
Via Al Jazeera:
Why do maps always show the north as up? For those who don’t just take it for granted, the common answer is that Europeans made the maps and they wanted to be on top. But there’s really no good reason for the north to claim top-notch cartographic real estate over any other bearing, as an examination of old maps from different places and periods can confirm…
…There is nothing inevitable or intrinsically correct — not in geographic, cartographic or even philosophical terms — about the north being represented as up, because up on a map is a human construction, not a natural one. Some of the very earliest Egyptian maps show the south as up, presumably equating the Nile’s northward flow with the force of gravity. And there was a long stretch in the medieval era when most European maps were drawn with the east on the top. If there was any doubt about this move’s religious significance, they eliminated it with their maps’ pious illustrations, whether of Adam and Eve or Christ enthroned. In the same period, Arab map makers often drew maps with the south facing up, possibly because this was how the Chinese did it.
Things changed with the age of exploration. Like the Renaissance, this era didn’t start in Northern Europe. It began in the Mediterranean, somewhere between Europe and the Arab world. In the 14th and 15th centuries, increasingly precise navigational maps of the Mediterranean Sea and its many ports called Portolan charts appeared. They were designed for use by mariners navigating the sea’s trade routes with the help of a recently adopted technology, the compass. These maps had no real up or down — pictures and words faced in all sorts of directions, generally pointing inward from the edge of the map — but they all included a compass rose with north clearly distinguished from the other directions.
Image: A perfectly good map. Select to embiggen.
If we are all journalists now, what happens to the privileges journalists used to claim? -
Via Index on Censorship:
We are used to telling ourselves by now that journalism is a manifestation of a human right — that of free expression. Smartphones, cheap recording equipment, and free access to social media and blogging platforms have revolutionised journalism; the means of production have fallen into the hands of the many.
This is a good thing. The more information we have on events, surely the better. But one question does arise: if we are all journalists now, what happens to the privileges journalists used to claim?
Official press identification in the UK states that the holder is recognised by police as a “bona fide newsgatherer”. As statements of status go, it seems a paltry thing. But it does imply that some exception must be made for the bearer. The recognised journalist, it is suggested, should be free to roam a scene unmolested. One can ask questions and reasonably expect an answer. One can wield a video or audio device and not have it confiscated. One can talk to whoever one wants, without fear of recrimination.
That, at least, is the theory. But in Britain, the US and elsewhere, the practice has been changing. Whether during periods of unrest or after, police have shown a disregard for the integrity of journalists’ work. The actions of police in Ferguson have merely been part of a pattern.
FJP: As of August 22, 17 reporters had been arrested in Ferguson.
Jon Stewart on (Fox) News Coverage of Ferguson
Those revelations sparked fresh fury in media circles, where retracting a story is viewed as a serious blow to one’s journalistic credibility—and to do so without notifying readers is a cardinal sin. Retracting four thousand posts without telling anyone is simply unheard of. To many in the industry, it smacks of a disregard for journalism’s basic tenets of accountability. That apparent disregard is especially galling when it comes from an upstart that is raking in VC rounds and gobbling up top journalists from established outlets that are struggling to survive. —
That’s Will Oremus, Slate’s Senior Tech Writer, on the discovery that over 4,000 BuzzFeed posts mysteriously disappeared this year.
Founder/CEO Jonah Peretti confirmed that this was true, as BuzzFeed embarked on a project to take down sub-par posts earlier this year. His caveat, however, was that this was no breach of journalistic integrity as BuzzFeed began as a tech company, not a media company.
Point is, they employ journalists, produce an increasing amount of original reporting and long-form journalism, and they’re not the only media company to have tech roots or projects. And when that’s the case, it’s not a good idea to delete content from one part of your site without comprising the integrity of the other, unless you find a way to be very transparent about it.
Related: BuzzFeed’s Jonah Peretti Goes Long (on Medium with Felix Salmon).
Open Journalism on GitHub
Time to explore.
Image: Screenshot, Open Journalism Showcase on GitHub.
H/T: ONA Issues.
Russia Unhappy with Bulgarian Treatment of Soviet Statues
Via The Moscow Times:
Russia is demanding that Bulgaria try harder to prevent vandalism of Soviet monuments, after yet another monument to Soviet troops in Sofia was spray-painted, ITAR-Tass reported.
The Russian Embassy in Bulgaria has issued a note demanding that its former Soviet-era ally clean up the monument in Sofia’s Lozenets district, identify and punish those responsible, and take “exhaustive measures” to prevent similar attacks in the future, the news agency reported Monday.
We needed a little fun after the last few days’ news. — Michael
Image: Monument to the Soviet Army in Sofia, Bulgaria, dressed by unknown artists as comic book characters. Via Wikipedia.
Syrians Honor Jim Foley
Image: Residents of Kafranbel, Syria pay tribute to Jim Foley, the American journalist executed by the Islamic State in Iraq and Syria. Via Kafranbel Syrian Revolution on Facebook. Select to embiggen.
We have never been prouder of our son Jim. He gave his life trying to expose the world to the suffering of the Syrian people.
We implore the kidnappers to spare the lives of the remaining hostages. Like Jim, they are innocents. They have no control over American government policy in Iraq, Syria or anywhere in the world.
We thank Jim for all the joy he gave us. He was an extraordinary son, brother, journalist and person. Please respect our privacy in the days ahead as we mourn and cherish Jim. —
A message from Diane Foley whose son Jim was executed by the Islamic State in Iraq and Syria. Via Facebook.
Foley was originally kidnapped in Syria in November 2012 while covering that conflict for Global Post.
Foreign Policy: Social Media Companies Scramble to Block Terrorist Video of Journalist’s Murder
The crackdown provided a vivid example of the pressure on social media companies to police violent terrorist propaganda, but at the same time it showed the difficulty they have in stopping individuals intent on spreading violent images and rhetoric.
Washington Post: Foley video, photos being scrubbed from Twitter
[T]he very viral abundance that makes Twitter so powerful — a half billion tweets are sent a day — makes it difficult to police.
Dick Costolo, CEO of Twitter.
We have been and are actively suspending accounts as we discover them related to this graphic imagery. Thank you https://t.co/jaYQBKVbBF— dick costolo (@dickc) August 20, 2014
See also #ISISmediaBlackout on the power and propaganda of imagery.