How the Daily Mail Got its Groove On

The Daily Mail is England’s most popular paper and its Web site recently surpassed the New York Times’ as the world’s most visited.

Last week it won nine British Press Awards.

In a longread, the New Yorker explorers England’s media landscape and the Mail’s present, past and future.

Via the New Yorker:

The Mail’s closest analogue in the American media is perhaps Fox News. In Britain, unlike in the United States, television tends to be a dignified affair, while print is berserk and shouty. The Mail is like Fox in the sense that it speaks to, and for, the married, car-driving, homeowning, conservative-voting suburbanite, but it is unlike Fox in that it is not slavishly approving of any political party. One editor told me, “The paper’s defining ideology is that Britain has gone to the dogs.” Nor is the Mail easy to resist. Last year, its lawyers shut down a proxy site that allowed liberals to browse Mail Online without bumping up its traffic.

The Mail presents itself as the defender of traditional British values, the voice of an overlooked majority whose opinions inconvenience the agendas of metropolitan élites. To its detractors, it is the Hate Mail, goading the worst curtain-twitching instincts of an island nation, or the Daily Fail, fuelling paranoia about everything from immigration to skin conditions. (“WITHIN A DAY OF HIS ECZEMA BEING INFECTED, MARC WAS DEAD,” a recent headline warned.) A Briton’s view of the Mail is a totemic indicator of his sociopolitical orientation, the dinner-party signal for where he stands on a host of other matters. In 2010, a bearded, guitar-strumming band called Dan & Dan had a YouTube hit with “The Daily Mail Song,” which, so far, has been viewed more than 1.3 million times. “Bring back capital punishment for pedophiles / Photo feature on schoolgirl skirt styles / Binge Britain! Single Mums! / Pensioners! Hoodie Scum!” Dan sings. “It’s absolutely true because I read it in the Daily Mail.” The Mail is less a parody of itself than a parody of the parody, its rectitudinousness cancelling out others’ ridicule to render a middlebrow juggernaut that can slay knights and sway Prime Ministers.

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