Posts tagged with ‘Media’
— Thom Shanker, Pentagon correspondent for the New York Times, quoted in Time. Bloggers, Surveillance and Obama’s Orwellian State.
Charles Davis, VICE, Survey Says: Journalists are Old White Cowards.
Researchers Lars Willnat and David H. Weaver from Indiana University recently published their findings in the report "The American Journalist in the Digital Age" based on interviews with over 1,000 American journalists working in all different fields. The results, including how they feel about controversial reporting practices, their job autonomy, and job satisfaction, are quite surprising when compared to survey results from 10 and even 30 years ago.
Janet Malcom, The Journalist and the Murderer, via Slate. The Storytellers: Walter Kirn gets taken in by a con man.
So begins a review in Slate of Blood Will Out, a new memoir by Walter Kirn about his relationship with Clark Rockefeller, a real life Mr. Ripley who impersonated a famous name, lived the high life and was eventually charged on kidnapping and murder charges. Kirn’s book explores how, as a writer, he was taken in by the faux Rockefeller. Or, more precisely, by the German-born Christian Gerhartsreiter who successfully played a Rockefeller in New York City social circles.
But while Kirn explores why and how he was taken over a decade-long relationship, let’s go back to Malcom’s original quote, to the journalist as con man, to his or her relationship with sources, and why sources should talk with reporters.
In the wake of NSA revelations, national security journalists have spoken about their increased difficulty reporting the news (see here, here and here). And with the Obama administration’s use of the Espionage Act to prosecute whistleblowers you can see why that would be the case.
So why should sources talk to reporters? It’s an important, unasked question, says Edward Wasserman, dean of the Graduate School of Journalism at UC Berkeley:
When you think about it, that question goes to the foundation of the entire edifice of a free press. And that foundation, at the moment, is shaky.
Let’s back up. No honest press, whatever its sense of mission and however firm its legal protections, can outperform its sources. It can’t be any better, stronger, braver, more richly informed, or more dedicated to broad public purpose than the people who swallow their misgivings, return the phone call, step forward, and risk embarrassment and reprisal to talk to the reporter.
The mythology of journalism enshrines the sleuths, sometimes the editors, even the publishers, but sources are really the whole ball game. Press freedom is nothing more than source freedom, one step removed. The right of a news organization to tell what it learns is an empty abstraction without the willingness of news sources to tell what they know.
Considering how important sources are, it’s stunning how little affection they get and how flimsy the protections are that anybody claims for them.
Give Wasserman’s article a good read.
It moves well beyond national security issues as it explores, again, why when a source’s quote can be nitpicked a thousand different ways — in “the online multiverse, and his or her words, motives and integrity will be denounced or impugned, often by pseudonymous dingbats, some of them undisclosed hirelings” — he or she should ever want to talk to the news media.
To the question: Why—given that only 2% of Americans are Mormon—does Religion Dispatches have a blog about Mormonism but not other equally small churches?, RD writer Holly Welker replies:
I admit I haven’t asked my editors for their exact reasoning, but my standard explanation goes something like this: “Well, we’re interesting. Love us or hate us, a lot of people want to read about us. And we’re more politically engaged than other 19th-century American religions—Jehovah’s Witnesses, Seventh Day Adventists, even Christian Scientists. They might have the Monitor, but they don’t have a Senate majority leader like Harry Reid or a former presidential nominee like Mitt Romney.”
But really, she goes on, in light of the question of what might happen if the Supreme Court strikes state-level bans on same-sex marriage as unconstitutional:
[Another] reason why a very small religion warrants a prominent place within the broader current discussion of religion, politics and culture: because Mormons have been where the Christian Right is collectively right now: we staked much of our political and personal identity and capital on a fight over the definition of marriage. We could see we were losing; we retrenched; we lost decisively. We sulked about it for a really long time, and now we just wish the whole sordid past could go away and stop haunting us.
And then we managed not to learn anything from our mistake and did the same basic thing again a century or so later, but this time, we got a whole bunch of other people to join us.
— Ann Friedman, The New Dream Job, Columbia Journalism Review
Because in the New York Times, an “adult film actor” named Stoya writes about pornography, stage names and identity:
Along with desires to differentiate themselves from performers in similar fields, increase ease of spelling and pronunciation or convey a certain image, some performers do take a stage name for the purpose of making themselves more difficult to recognize. This might possibly have worked in the ’70s, but with easy access to enormous amounts of adult content on the Internet and the ease with which we can all find juicy tidbits of information about one another’s pasts online, I can’t see it having much effect anymore…
…[But] my stage name is less about withholding parts of myself or maintaining privacy than it is a symbol of the idea that I am more than just my job or any other isolated slice of my identity.
Stoya talks about the inherent paradoxes in the pseudo-anonymity her stage name affords, but equates it with what she sees as part and parcel of a fragmentation many — notwithstanding those who disagree with the notion of digital dualism — experience between their online and offline selves.
Because in PandoDaily, we read about PornHub’s innovative marketing campaigns to get their NSFW “product” into SFW spaces.
As a result, Pornhub must rely (for now) on social advertising, digital advertising, and organic promotion, which makes them as interesting case study for other startups that, while not restricted by social mores, may have financial roadblocks in getting on TV.
The latest untraditional marketing strategy came this week when Pornhub launched a call for “Safe-For-Work” Pornhub ads. Aspiring ad men and women can submit their entries to this Tumblr (SFW). The person behind the winning entrant has a shot at becoming the company’s next creative director, the site promises.
A campaign like this not only grabs headlines (which is its own kind of free advertising). It also allows Pornhub to set the terms of its own brand identity before even launching a national campaign.
Because while reading the above we read some more and came across a study by the Urban Institute on underground economies and learn that Atlanta is the sex trade capital of the United States, a “sex act” runs anywhere from $5 to over $1000 in Dallas and pimps don’t like being called pimps. It’s too seventies. Business Manager will do.
And because so long as we’re reading about fragmentary identity, online marketing and job descriptions, we might as well read how sea slugs mate: The hermaphrodites “penis fence” in an attempt “to penis-stab the other. An inflicted wound inoculates the recipient with sperm.”
Penis stabbing? It’s not just the sea slug. Enter the bedbug, just penis stabbing its way through life:
Males will often jump on and penis-stab anything that comes their way, even females of other species, often killing them in the process — a phenomenon that has driven some species to evolve apart. Male bedbugs regularly jump other males by mistake—which is such a problem that males in one species have evolved their own damage-control spermaleges.
And that’s what we learned this week by following porn. Now off to watch Isabella Rossellini demonstrate the erotic lives of snails. Spoiler alert: “love darts.”
Getty Images is dropping the watermark for the bulk of its collection, in exchange for an open-embed program that will let users drop in any image they want, as long as the service gets to append a footer at the bottom of the picture with a credit and link to the licensing page. For a small-scale WordPress blog with no photo budget, this looks an awful lot like free stock imagery.
Implications abound but this one is particularly interesting:
The biggest effect might be on the nature of the web itself. Embeds from Twitter and YouTube are already a crucial part of the modern web, but they’ve also enabled a more advanced kind of link rot, as deleted tweets and videos leave holes in old blog posts. If the new embeds take off, becoming a standard for low-rent WordPress blogs, they’ll extend that webby decay to the images themselves. On an embed-powered web, a change in contracts could leave millions of posts with no lead image, or completely erase a post like this one.