Digiday came out with an interesting compilation of perspectives on millennials (aka Gen Y, born in from the ’80s to the 2000’s) who comprise the new crop of working professionals in ad agencies.
The ad exec’s perspective seems largely to be that millennials feel excessively entitled, are at times over-payed and are inclined to having big ideas but no mastery of a craft. Example: an agency executive talking about a millennial he hired and then let go (via WTF Millennials: Managing Agencies’ Newest Generation:
He didn’t know how to do anything. He could talk about stuff and criticize what agencies were doing but really added no value. At one point, I walked by his desk and saw Facebook on one monitor and Tweetdeck on another. I told him that he’s so good at social media that he’s totally unproductive. We let him go a few days later. In his mind, he nailed the task and moved on to help get the ad industry back on track. Sigh. The overconfidence, zero accountability and zero remorse is 100 percent millennial. They don’t get the concept of learning.
The millennial’s perspective seems to be one which struggles to reconcile with one too many contentions: old-school divisions of labor, integrating digital and traditional advertising, and harder, bigger questions like how to maintain (idealistic?) values of openness, honesty and social good, while working in an industry that isn’t exactly reputed for these things. They’re left unable (and perhaps unwilling) to master a craft because of a lack of the bigger picture, and at times a lack of mentorship to get there.
FJP: I thought about using Tumblr’s chat-post format to excerpt these pieces as a conversation between millennials and ad execs, but in my mind, the perspectives don’t really speak to each other. Though I don’t work in advertising, the conversation touches on adjacent industries just the same. The problem seems to be that many of us (millennials) view “learning” as a very intentional (and arguably selfish) affair. I’m certainly victim to the big ideas and not enough craft dilemma but it’s because I want to master a craft if I’m driven to on a personal level, and that drive entirely comes from having a clear vision of the big picture—confidence that my efforts today won’t lead to another future in which social good is at the bottom of the priority list, and profit is at the top. This attitude won’t work well in the average entry-level position, but it’s often our only entry point. I’ve been lucky enough to receive an education and professional mentors who encourage me to go long with my big ideas, which in turn makes me want to be accountable. Not an easy environment to create but much gratitude to those who’ve done it. —Jihii
There are two flavors of interest targeting. For broader reach, you can target more than 350 interest categories, ranging from Education to Home and Garden to Investing to Soccer, as shown in the screenshot below. As an example, if you were promoting a new animated film about dogs, you could select Animation (under Movies and Television), Cartoons (under Hobbies and Interests), and Dogs (under Pets).
If you want to target more precise sets of users, you can create custom segments by specifying certain @usernames that are relevant to the product, event or initiative you are looking to promote. Custom segments let you reach users with similar interests to that @username’s followers; they do not let you specifically target the followers of that @username. If you’re promoting your indie band’s next tour, you can create a custom audience by adding @usernames of related bands, thus targeting users with the same taste in music.
Twitter Advertising Blog, Interest targeting: Broaden your reach, reach the right audience
What does that mean? Twitter will use your personal browsing history, people you follow and any other data it has about your activity in order for advertisers to microtarget their ads to you.
I thought you were particularly photogenic that day.
Karl Rove, former George W. Bush advisor and founder of Crossroads GPS, to New York Times reporter John Harwood on why Crossroads used a clip of Harwood in an attack ad on Barack Obama. The footage used was a three second clip of Harwood explaining a job report on CNBC.
John Harwood, New York Times. More News Reports Show Up in Campaign Ads, to Journalists’ Chagrin.
Background: Harwood reports that more political ads this year are using footage from television news programs to lend “credibility” to the claims made in the spots.
“We try really hard to get credible third-party messengers to deliver facts,” Mark McKinnon, an ad producer who’s worked with Rove on campaigns, tells Harwood. “A fact coming from you is much more believable than a fact coming from us.”
Which is odd if you think about it seeing how shrill certain quarters are about how biased the mainstream media happens to be.