Learning to Finger Paint
Last weekend I bought Brushes, a digital finger painting app for iOS devices created by Taptrix.
While my drawing talents haven’t improved much since the second or third grade, I thought finger painting would be a great way to occupy my daily subway rides. Besides, there’s aspiration going on here: Jorge Colombo created five New Yorker covers using the app.
Here’s some general background: Brushes, as the name suggests, is a painting app that uses brushes. If you’ve used Photoshop, they’re the exact same thing. The app has 19 different ones and you can change each one’s size and overall style with some sliders that give you overall control.
Importantly, the app also uses layers so you can draw on top and underneath objects. The layers aren’t limitless so you end up using a few and then merging them when you have the need to move on to a different part of your picture.
Other essentials include a color picker, paint bucket for large fills, and opacity and brush size control. The eraser is handy and the history and redo controls are image saving.
So, a few days into my drawing with Brushes extravaganza, here’s what I’ve discovered:
If you want to see how people are using Brushes, and what its potential is, check the Flickr user group. And if vector’s more your thing, Taptrix has another iOS app called Inkpad.
Images: Chickens are People Too, by me (Michael Cervieri); various screenshots of the Brushes app showing layers, color pickers, and brush types.
New figures have revealed the extent to which UK national newspaper Saturday circulations far exceed sales on Monday to Friday.
The shift in reporting the circulation figures for particular days, instead of lumping them together may seem like a small change to reporting figures but it also signals the beginning of a seismic shift in the business model of UK newspapers. If Saturday is the best day to publish a newspaper, maybe it’ll become the only day?
As the shift to online reporting via iPad, apps and the web itself continues, we could see newspapers using their websites during the week and the Saturday edition become bumper packages with more long form journalism, features and lifestyle stories.
This could be a long-drawn out affair or a quick one - after all, The Economist has seen steady increases in readership and initiatives like Matter show that there is an appetite for less noise in users consumption of news. Intriguing times.
The ongoing death of newspapers is not about changes in journalism, or the need for them. It is about a business model that has ceased to be relevant in the face of present technology. It used to be a poorly kept secret, but amid a vast array of competing histories, it’s been forgotten like last year’s canceled NBC sitcoms: What made newspapers successful was never the news. Newspapers provided vital services in people’s lives: their connections with their hometown, the notices of local events, the daily topics of conversation, the latest thoughts hovering over Snoopy’s head as he snored atop his doghouse. Many of these services were syndicated, and those that were not - like the classified ads - were intensely well managed. The front page, and the headlines therein, were merely the container…
…The Internet commandeered the services that newspapers once championed and delivered each of these services on an a la carte basis. In an earlier era, it made sense to bundle these services in a single package - the newspaper - and deliver it fully assembled. Today, the Web itself is the package, and each of the services now competes against other similar services in separate, often healthy, markets. And this is as it should be - this is not somehow wrong…
…There is no rational business model that can be formed around solely the production of news, just as many artists will attest that there is no stable business model around just an artist producing art that does not involve dying first. News must be bundled with a service. And that’s a problem, because the Web model is to unbundle everything, reduce every service to its basic and fundamental form, and present it to you as a site or, more recently, as an app. If you ask southern California venture capitalists what types of investments they’re searching for, they’ll tell you they’re looking for that one thing - not six things bundled together, not three existing things that complement one another. One disruptive thing.
And that thing tends to omit the word “news.
Bloomberg reaches iPhone readers by giving them a word count
The Bloomberg Businessweek iPad app has been a success for nearly a year now, and this week they’re bringing it to the iPhone. The difference being that:
It gives readers a word count for stories, making it easier to pick out the most digestible piece given whatever amount of time you have. “We know through the course of the day on iPhone people are going to come in and out, and we want to give them a perspective of the (time) commitment,” Oke Okaro said.
Tip toeing around the other things people use their phones for, the global head of mobile there says there’s a lot to learn from watching how people use the app over the next few months.
Since the iPad version of the app has been out for some time, Bloomberg has data on their readers’ habits, and they generally line up with what we’ve seen elsewhere: People are reading the magazine in the evening and on weekends. The magazine has grown a steady stream of new subscribers and converted print readers to verify their subscription, so the iPhone edition is a play at expanding their audience.
Via Nieman Lab.
Fans of the husband and wife designer team Charles and Ray Eames who were or were not around to see their original 50 foot long, 1961 infographic chronicling the history of mathematics can now download an app version of the huge idea. Very mathy!
Zite, the personalized magazine app creator that CNN purchased last summer has had a busy couple of days.
Last week they announced the release of an Android version of their app. This week they announce that they’ve created a publisher’s program with eight partners including Fox Sports, The Daily Beast, the Huffington Post and, of course, CNN.
The program integrates the publisher’s content into a dedicated section within the Zite app with the goal of first exposing readers to that content, and then — because the user likes the publishers’ content so much — getting them to download the publishers’ native apps.
Conversion, of course, is a tricky game to play and hard to succeed at but it is an important step for a company that was sent a cease and desist letter by publishers almost immediately after it first launched the product last year.
The model also differs from Next Issue Media’s “Netflix for Magazines” app that we highlighted yesterday, where publishers are bundling their content together under an all you can read buffet for $10 to $15 per month.
Perhaps its in their DNA. Zite considers itself a discovery engine rather than a personalized magazine news aggregator. In announcing the publishing program, they write:
Zite is uniquely positioned to innovate on distribution with publishers because of how Zite works. At our core, we are a discovery engine: a place where users can go to find interesting articles that are personalized to a user’s particular needs/wants. One of the most common compliments we receive from our users is: “Wow, I find stuff on Zite that I couldn’t have found anywhere else.”
Zite’s goal isn’t to be the only place you go to read news. Much like a search engine, we just want to be your starting point. On a person’s iPad, for example, we expect that a user will use Zite and a number of publisher applications that they read cover to cover. Zite gives you a taste, but you need to go the publisher for their full experience.
So, two days, two different models on how publishers are coming together on tablets and mobile devices. We look forward to watching where this leads, and seeing what new innovations others are coming up with.
Digiday highlights USA Today’s approach to app development. USA Today is the only “big 3” publisher (WSJ, NY Times, USA Today) to not charge for content on any device, relying exclusively on advertising:
Newspapers are experimenting with different ways of distributing content on tablets. When it comes to mobile, most publications rush to replicate their content via an app. USA Today is thinking different.
USA Today is betting on an adaptive experience that morphs with the device. While there’s no dynamic personalization based on user behavior or any type of intelligence, the articles served up on the iPad vary from person to person. For example, I read USA Today sports stories, and my colleague reads tech and advertising stories. In turn, more sports stories appear in my app than in my colleague’s app, and she therefore receives more tech and advertising stories.
“We don’t create for the paper and port to the mobile,” said Matt de Ganon, vp of mobile product and operations. “We create content, and it gets certain finite production on the digital properties; it’s a fluid experience of, here is the format that works best, and here is the subset of content that works best on smartphone, or here’s the context of tablet.”
A Netflix for Magazines
Via AllThingsD:
Remember Next Issue Media, the “Hulu for Digital Magazines” consortium made up of the biggest names in publishing? It has finally delivered something worth talking about: Call it Netflix for Magazines.
The pitch is simple and intuitive: All the magazines you want, delivered digitally to your tablet, for a flat fee of either $10 or $15 a month.
There are catches, of course, and we’ll get to them in a minute. But the thrust of what NIM and its publishers are trying to do here is heartening, because it shows that they’re willing to experiment, for real.
They’re keeping their core business model — curated bundles of content sponsored primarily by advertising. But they’re making a key concession by not requiring consumers to make a commitment to any particular title and letting them swap out magazines at will.
Not a coincidence: Two years after the iPad launched, consumers have only shown a mild interest in tablet magazines — digital represents just 1 percent of the industry’s circulation. Publishers need to do something.
The app is currently Android only and the magazines offered a limited to an assortment (not all) of titles by publishers in the Next Media venture: Hearst, Meredith, Conde Nast and Time Inc.
Ken Doctor weighs in at Nieman Lab:
So what is it? iTunes for magazines? Maybe Hulu for periodicals? How about Piano Media for American titles? Tivo for print?
In the hurly-burly of digital content innovation and monetization, it’s hard to figure out what things are, so we try to find apt comparisons. With the new Next Issue digital newsstand, let’s think Netflix or Pandora or Spotify as the closest cousins. Next Issue, the offspring of five prosperous parents (Time Inc., Conde Nast, Hearst, Meredith, and News Corp.), launched last night what I think will be a model-changing product for publishers.
Digiday points out 3 mobile apps created by publishers that go above and beyond just recreating the web & print experience (look, feel, layout, content). You know, actual innovation on the mobile front:
Unfortunately for readers, it seems as though media outlets often take the path of least resistance and just port their online content into an app. There are a few, however, who forge their own paths. Here are three unique mobile apps where publishers are trying something new.
Orange County Register: This local California paper (1.3 million uniques in February 2012, according to comScore) takes a unique approach to delivering content on its app, The Peel. The outlet plays to the audience, serving stories throughout six categories — news, sports, business, trending, things to do, and photo/video gallery — that are chosen based on iPad reader’s interests and many of the stories can only be found within the application. Additionally, the app pushes content in the evening and each addition features content exclusively for the app. A novel approach for a local outlet, this app can go a long way for those living in the OC — or those just stopping by.
Download the app here.
WP Politics The Washington Post has an election 2012 specific app, which does way more than port content from its website. Sure, there’s news from the paper and a website that finds its way onto the app — like Ezra Klein’s blog or The Fact Checker — but the app delivers additional information that’s not on the site: a polling map for the uber-wonky who want to know how each candidate is faring in sentiment at any given time; candidate issues tracker, which uses motion graphics to provide users with an “at-a-glance” understanding of where each of the candidates stand, and previously stood, on the major issues of the campaign; the historical election results map, which includes every vote, in every state, for every candidate, in every presidential election since 1789, and is presented with Washington Post articles written before and after every election since 1880. This app is a political wonk’s dream as it gives information that can’t even be found on the Washington Post’s site.
Download the app here.
King’s Cross, London – Streetstories The Guardian recently released an app that lets users listen to the sounds of Foggy London Town while walking the streets of King’s Cross. Additionally, the app serves as a walking guide with more than 70 stories and two hours of audio material, all relevant to a user’s location. The app boasts of readings from Dickens (location-specific), the architecture of Gilbert Scott’s St. Pancras, as well interviews with former street workers giving listeners an oral history of the area. This is a great idea for users who want to learn more about their surroundings. Hopefully other major news outlets will follow in The Guardian’s footsteps, especially in cities around the world.
Download the app here.
Rethinking the Call-in Show
TechCrunch profiles an interesting crew of Facebook, Google, Cooliris alums trying to rethink online video chat for use with large(r) audiences. They call themselves OnTheAir.
Here’s how it works. A host sets up an OnTheAir show and selects a start time. They receive a unique URL that leads to a landing page with a countdown to their show. OnTheAir lets them schedule tweets for an hour and a few minutes before the show starts to promote themselves. When the show starts, the host begins live video streaming to the audience.
Viewers can text chat with each other and the host, or click a “Call In” button to alert the host that they want to join them “on stage”. The viewer is intelligently walked through an equipment check to turn on their webcam and mic, and shown a preview so they can check their hair. Meanwhile the host can look at the previews of anyone asking to call in, and select who to bring on stage with them for simultaneous, sync’d up video streaming to the audience.
The technology itself isn’t very interesting — think combining Livestream/Ustream for live one to many Webcasts with Google Hangouts for small group chats that can include an audience — but the purpose is. OnTheAir appears to be positioning itself as the online version of the traditional call-in show.
Again, technically, not very interesting. But what is journalistically interesting is if you slap a mobile video app on that. Do so and you can imagine how OnTheAir — or a Web/mobile service like it — could be used for covering the street during live events around the globe.
Most news stories are covered by many media outlets. News is not a scarce commodity. Magazine articles, on the other hand, typically provide more in-depth commentary or analysis on interesting topics. A consumer can’t easily find other sources for a magazine story.
Hamish McKenzie argues that magazine publishers, like music publishers before them (album versus iTunes single), should break up the sacred magazine bundle online and allow consumers to either pay a Netflix type subscription to an all-you-can eat buffet of articles from a variety of publishers, or provide an a-la-carte menu for consumers to discover and pay for the articles they want to read
Of course, this implies that publishers would need to coordinate the development of an industry led technology and distribution platform (similar to Hulu), or watch an external technology company such as Flipboard, Google, Apple, or Amazon build a business model off the publisher’s content and own the relationship with the end consumer.
As McKenzie states:
The first problem is that there is an app for each magazine. To subscribe to the New Yorker, Wired, Vanity Fair, GQ, The Atlantic, Details, New York, and Time, you’ve got to have seven different apps, many of which are bloated. Some issues of Wired, for example, have weighed in at 500MB each. And what do you get inside? Aside from the occasional animation, or supplementary audio and video, they’re basically just digital facsimiles of the paper product. Worse – you can only get the stories if you get the whole magazine.
So here’s an idea for how to do it better and make money from it.
Break up the bundle. Present stories on an individual basis. Do to the magazine what iTunes did to the album, but do it with a Spotify model. And put it all into one app.
In short: build a platform not for magazines, but for magazine stories.
Here’s how it works. You have an app called something like Mag Reader. When you open Mag Reader, it shows you a list of the latest works from your favorite publications, as well as ones that align with your interests, or the stories currently most talked about on social media.
Each story is listed with a small picture, headline, by-line, date, relevancy rating (just like Netflix’s customized recommendations), introductory teaser, and publisher name. Before clicking through, you can expand each one to see more art work, the first few paragraphs, who has recommended the story, links to similar stories, and what else the publisher has put out recently. If you feel the urge, you can even buy the magazine issue into which the piece has been bundled for paper consumption.
You have a profile page, just like you do on Spotify or Facebook, on which your most recently read stories are listed alongside the stories you recommend most highly. On your page, you can also list your favourite magazines and writers, along with your interests. Perhaps you even list all the readers you follow, Twitter-style. You can discover new stories through the social connections you have built around your profile, just like you do now through Twitter, Facebook, and Google Reader (people still use that, right?).
Each writer has a profile, too. Some writers will be affiliated with magazines; some will be independent. You can follow your favorite writers, so you’ll always know when they have a new story out. On his profile, a writer has a bio, links to his stories, and perhaps even a “works in progress” section that comes with a “donate” button, so readers can make financial contributions to stories they’d like to see materialize, Kickstarter-style.
Publishers have brand pages, as well, just like on Facebook. At each page, you can read about the magazine, check out the masthead, perhaps watch some behind-the-scenes footage, and maybe even subscribe to their bundled products.
Like Facebook and Spotify, Mag Reader can host third-party apps – such as Longreadsand The Atlantic’s Best of Journalism – that offer curated reading lists.
The story-reading experience is seamless and alive. You can highlight passages you want to make a note of, just like you can on the Kindle. You can look up specific words in a dictionary. Publishers can easily integrate multimedia into their stories. Writers can update their stories as new information comes to hand. On each story you can leave comments that will then, if you so choose, publish to your Facebook profile. You will be able to sort comments on the stories to prioritize the ones written by “Friends” or “Friends of Friends” (thanks, Roman Meytin, for that idea).
One commenter from Germany, who actually tried to launch a service similar to the one described in the article, summarized the experience of trying to herd cats publishers and get them to work together:
We presented our app to dozens of newspaper publishers and press agencies in Germany and we had around 20 of them joining our model as launching partners. But we realized very soon that this model was a failure.
Most newspapers, mainly the big and interesting ones, were not interested at all, they all wanted their OWN app in the AppStore. They did not want to promote an app that contains content from other newspapers. They did not want users to choose which article is interesting and which one is not. So, more or less all German newspapers launched their OWN apps, most of them never reached top 100 of the category news in appStore and – even more surprising – a lot of them are completely free or you have to pay an initial single payment of .79 €.
Fish where the fish are, is what we say.NASA Launches Comet-Hunting iPhone Game
Ever wanted to steer a robotic spacecraft toward a comet rendezvous in deep space? Now there’s an app for that.
NASA’s new free iPhone game Comet Quest puts players at the controls of the European Space Agency’s Rosetta spacecraft, which is slated to arrive at the comet 67P/Churyumov-Gerasimenko in 2014.
Comet Quest, which NASA released on Feb. 29, is meant to be fun, but it strives to teach above all, according to the game’s developers.
“Of course, since it is a NASA-sponsored app, education is its true raison d’être,” Diane Fisher, of NASA’s Jet Propulsion Laboratory in Pasadena, Calif., told SPACE.com via email. Fisher is webmaster for The Space Place, a NASA website that aims to engage elementary-school students in science, technology and math.
The apps don’t require you to be online to view the pages, and you’ll be able to reference Wikipedia no matter where you are, even when it goes dark on Wednesday.
FJP: The English language version of Wikipedia will be offline this Wednesday in protest of the SOPA/PIPA bills currently in the US Congress. So, if you can’t do without, check out these apps.
Time Inc. Skips The CES Bins, Sort Of; Offers Free Downloads Of All Titles
From paidContent:
Not too long ago, grazing the magazine bins was a perk of going to a trade show. But consolidation and closures mean fewer publications—and digital platforms offer access to the info without lugging around the ones that are left. Time (NYSE: TWX) Inc.‘s solution at CES this year?
A magazine-shaped promo piece stacked in the publication bins but with none of the publishers’ content inside. Instead, the company played up its tablet editions and their cross-device access by offering them all free of charge at CES for download to iPad, Kindle Fire, Nook Tablet/Nook Color and Android devices via NextIssue. (You can try it this weekend; the free trial ends Sunday night.)…
Instead of handling out cards for one free download or sticking with a single title or device, the company tried something that matches the best of its digital intentions: getting attention for its tablet strategy, while showing the device makers it can be a good partner and stressing an ecumenical approach at the same time.