This is interesting.
David Brooks sifts through findings based on Google’s database of books published between 1500 and 2008 to see how frequently particular words were used at different epochs and then tells a story about how this reflects society’s cultural changes over time.
For example:
The first element in this story is rising individualism. A study by Jean M. Twenge, W. Keith Campbell and Brittany Gentile found that between 1960 and 2008 individualistic words and phrases increasingly overshadowed communal words and phrases.
That is to say, over those 48 years, words and phrases like “personalized,” “self,” “standout,” “unique,” “I come first” and “I can do it myself” were used more frequently. Communal words and phrases like “community,” “collective,” “tribe,” “share,” “united,” “band together” and “common good” receded.
And:
A study by Pelin Kesebir and Selin Kesebir found that general moral terms like “virtue,” “decency” and “conscience” were used less frequently over the course of the 20th century. Words associated with moral excellence, like “honesty,” “patience” and “compassion” were used much less frequently.
The Kesebirs identified 50 words associated with moral virtue and found that 74 percent were used less frequently as the century progressed. Certain types of virtues were especially hard hit. Usage of courage words like “bravery” and “fortitude” fell by 66 percent. Usage of gratitude words like “thankfulness” and “appreciation” dropped by 49 percent.
FJP: Granted the narrative he constructs based on these findings—that society has becoming more individualistic and less morally aware, for example—is prone to confirmation bias (which he admits), but it’s interesting to think about nonetheless.
Bonus: Explore the Google Books Ngram View here.
The Big Map of North American English Dialects
The map and page might look like a mess, but the North American English Dialects Map is fascinating mess to go through.
With English dialects throughout North America, audio samples, linguistic explanations and more, it’s a great place for language fans to spend their time.
Have You Seen this Book?
Lexicographers, philologists and bibliophiles unite: there’s a book that needs to be found.
As the Oxford English Dictionary overhauls its dictionaries it’s reexamining the more than 300,000 entries in the OED. Sometimes though, the original sources are hard to find. Case in point, Meanderings of Memory by Nightlark, which is referenced 49 times from 1852. The OED can’t find the book in its catalog or databases. All it has to work with is the fragment seen above from a bookseller.
Via Sasha Weiss in the New Yorker:
I asked Katherine Connor Martin, head of U.S. dictionaries for Oxford University Press, about how the search had come about. Her answer amounted to a mini-history of the O.E.D.’s longtime practice of calling on the general public to aid its lexicographers. “We like to say the O.E.D. has been crowdsourcing since before there was a word for crowdsourcing,” she said.
In 1879, James Murray, a leading member of the British Philological Society who edited the first edition of the O.E.D., put out “An Appeal to English Speaking Readers,” asking for volunteers to comb through periodicals, pamphlets, works of literature, and scientific and philosophical treatises, and note down unusual words and to quote the sentences in which they appeared. “Anyone can help,” Murray wrote, “especially with modern books.” Readers took down their findings on six-by-four index cards—called “slips”—and submitted them to the dictionary’s editors. Over a million quotations were collected before the publication of the dictionary’s first installment. (The practice has continued, with a few lapses, since then—now it exists in digital form.) According to the O.E.D.’s Web site, “The quotations are one of the most important aspects of the entries contained in the OED. They document the history of a term from its earliest to its most recent recorded usage.”
So, word nerds, the hunt is on. A global search for a single book.
Image: Catalog entry for Meanderings of Memory, via the OED.
Waiting on Perfection
See the Slate series, Daily Rituals: Life Hacking Tips from Novelists, Painters and Filmmakers.
For example:
[P]erhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration.
This idea comes up over and over again in the book. William Faulkner: “I write when the spirit moves me, and the spirit moves me every day.” George Balanchine: “My muse must come to me on union time.” Chuck Close: “Inspiration is for amateurs. The rest of us just show up and get to work.” John Updike: “I’ve never believed that one should wait until one is inspired because I think that the pleasures of not writing are so great that if you ever start indulging them you will never write again.” George Gershwin said that if he waited for inspiration, he would compose at most three songs a year.
All very true. All very hard to learn.
I also would like to say: You really should have kids review the children’s books (especially reviewers who are the same age as the kids whom the book is intended for).
Second grader Rosa Cohn in a letter to the New York Times (via schoollibraryjournal)
FJP: Brilliant advice.
Libraries and librarians…are…a kind of secular clergy, a trusted ear and an unbiased source of information and support to anyone who walks in the door. This is the compact we have at the deeper levels of our engagement with our communities past the bestsellers and free internet. There is a web of trust. Our users know, or should know, that they can come to us with issues and concerns and that we will leverage our best abilities to their ends. No matter what crazy crap is going on in your life the librarian will figure it out and set you up with at least some better understanding and a direction to go in.
Not Your Ordinary Bookstore
Argentina’s El Ataneo Grand Splendid opened as a theater in 1919, later became a cinema and is now a bookstore.
Images: El Ataneo Grand Splendid, via Atlas Obscura.
David Foster Wallace on Ambition
…and perfectionism… and the semicolon.
Hello, Digital Public Library of America
The Digital Public Library of America launched today with “photographs, manuscripts, books, sounds, moving images, and more—from libraries, archives, and museums around the United States.”
Its goal is to create “an open, distributed network of comprehensive online resources that would draw on the nation’s living heritage from libraries, universities, archives, and museums in order to educate, inform, and empower everyone in current and future generations.”
Exhibitions are here. And your inner hacker can access the DPLA’s API here. Yes, the library has an API, which is awesome. One app currently using it is the Library Observatory:
Library Observatory is an interactive tool for searching and visualizing the DPLA collections, accompanied by an interactive documentary that weaves together history, visualizations, and audio about the making, use, and enduring significance of library data and the collections they describe.
Another app searches both the DPLA and Europeana, a European project similar to it, simultaneously giving results from each.
Ireland’s Central Bank Issues Commemorative Coin to Celebrate James Joyce’s Ulysses, Misquotes the Text
The bank inserted an extra word (“that”) into a sentence taken from Ulysses. Not the biggest error, but still.
“While the error is regretted,” the bank said in a statement, “it should be noted that the coin is an artistic representation of the author and text and not intended as a literal representation.”
Meantime, some Joyce scholars think its fun. Via the Guardian:
Mark Traynor, manager of the James Joyce Centre, which is dedicated to promoting the author’s life and work, called the slip-up “unfortunate”, but said there was “certainly a humorous side to it too (no ‘flip side of the coin’ pun intended)”.
“For one thing, Joyce was an author who embraced errors. As Stephen remarks in Ulysses, ‘A man of genius makes no mistakes. His errors are volitional and are the portals of discovery’,” said Traynor. “So if there is any value in the little mistake by the minters it is that it has bred a new, unexpected narrative. What should have been a fairly mundane launch of a commemorative coin has suddenly reached a much wider audience than expected.”
It also just goes to show, Traynor added, “that – even after the cessation of copyright on Joyce’s major works – you still can’t reproduce a couple of sentences without causing a bit of scandal”.
Image: Front and back of the Ulysses commemorative coin.
Drawing New York City
Via Atlantic Cities:
James Gulliver Hancock wants you to know about a little personal project of his. It’s nothing big, really. Just something he does whenever he has the chance. The project is to draw all 900,000 buildings in New York City. Like we said, nothing major.
Hancock began his epic effort in April of 2010 along with a personal blog where he posted many of the finished works. More than 500 of the buildings in New York that he’s drawn so far were just published in the very appropriately titled book: All the Buildings in New York: That I’ve Drawn So Far (Universe).
Read through for an interview with Hancock. Prints of the drawings are available on Hancock’s web site.
Images: various New York City buildings, by James Gulliver Hancock.
Your Tumblr du Jour: Times Haiku
FJP: We’ll never read the New York Times the same again.
Calvin and Hobbes Nursery Complete with Fort for Sleeping
Via Reddit
The Panoramic Book
Or, The Horizontal Scroll, depending how you look at things.
Images via the Princeton University Library Blog: “The graphic arts collection holds a scrolling panorama made up of 12 unsigned, hand-colored etchings, with a narrative in verse, attributed to [Thomas] Rowlandson and titled Mister O’Squat.”