Posts tagged curation

The Hidden Cost of Hamburgers

Two things here: this animation is part of the Center for Investigative Reporting’s Food for 9 Billion series, a yearlong look at the challenge of feeding the world.

It’s also now part of The I Files, a new investigative channel on YouTube that will be curated by the CIR and draw from sources around the world.

Via CIR:

Edited by the Center for Investigative Reporting in Berkeley, Calif., The I Files will be a showcase for the best investigative news videos from around the world – stories that investigate power, reveal secrets and illuminate your world. Our motto: Dig deep.

Our contributors include major media players such as The New York Times, BBC, ABC and Al-Jazeera, as well as public television’s ITVS and a host of independent reporters and producers. We will be working in association with the Investigative News Network and its coalition of 60 nonprofit news organizations, from ProPublica to the Pulitzer Center on Crisis Reporting and the Investigative Reporting Workshop at American University.

This is, of course, an experiment, yet another new venture in a media environment where the Web has splintered audiences into thousands of niche markets. But there is a method to our madness.

YouTube, just seven years old, is a vast and rapidly changing media environment, and within the almost incomprehensibly large YouTube universe, news videos have begun to find an audience amid the entertainment and clutter. It’s news that is often raw and citizen-generated – like footage of the 2011 Japanese earthquake and tsunami – but increasingly, it’s also professional news from established broadcasters.

A new study by the Pew Research Center’s Project for Excellence in Journalism confirms the trend of people turning to YouTube as a source of news and information, especially in times of disaster – whether natural (a volcanic eruption in Iceland) or unnatural (the recent mass shooting in Aurora, Colo.). TV is still, by far, the No. 1 source of news for most Americans, but the Pew report found that YouTube has established itself as a rapidly expanding platform for “a new form of video journalism … where professional journalism mingles with citizen content.”

Stephen Talbot, CIR, The I Files brings investigative news to YouTube.

Today’s Digiday Buzzword Tracker looks at the evolution of the word “curation”. For example, in the 14th century “curate” referred to spiritual guidance.
With the rise of self publishing platforms, so too came a lot of thought about curation’s pros and cons. For example, as Digiday Points out, Jeff Jarvis’ 2009 post about the journalist as curator. Most important, since we live in and contribute to a curated digital world, we highly recommend reviewing Curator’s Code by Brain Pickings founder Maria Popova and designer Kelli Anderson.
The two created the site last winter and walk through issues of respect, attribution, the nuances between “via” and “hat tip” and even offer a browser bookmarklet that generates links and symbols to indicate to site visitors how and where you found your newly published piece of awesome.
As they write, “The internet is a whimsical rabbit hole of discovery. Acknowledging where information came from helps keep the rabbit hole open and makes the Web Wonderland better for all of us.”
Couldn’t agree more. — Michael

Today’s Digiday Buzzword Tracker looks at the evolution of the word “curation”. For example, in the 14th century “curate” referred to spiritual guidance.

With the rise of self publishing platforms, so too came a lot of thought about curation’s pros and cons. For example, as Digiday Points out, Jeff Jarvis’ 2009 post about the journalist as curator. Most important, since we live in and contribute to a curated digital world, we highly recommend reviewing Curator’s Code by Brain Pickings founder Maria Popova and designer Kelli Anderson.

The two created the site last winter and walk through issues of respect, attribution, the nuances between “via” and “hat tip” and even offer a browser bookmarklet that generates links and symbols to indicate to site visitors how and where you found your newly published piece of awesome.

As they write, “The internet is a whimsical rabbit hole of discovery. Acknowledging where information came from helps keep the rabbit hole open and makes the Web Wonderland better for all of us.”

Couldn’t agree more. — Michael

JOB: YouTube Human Rights Channel Coordinator with Witness.org

Via Witness.org:

WITNESS is working with YouTube and Storyful (www.storyful.com), the citizen media aggregation and verification service, to create and curate a human rights video channel on YouTube that collects and promotes videos that capture and contextualize breaking human rights stories around the world.

This provides an exceptional opportunity to ensure that human rights video - both from hotspots and forgotten situations - is prominent on YouTube. It will also allow WITNESS to share the best practices and tools that enable people to better document and secure justice using video.

The channel will tell breaking stories in human rights through the lenses of citizen witnesses, human rights activists and journalists who upload their video to Youtube everyday. Part breaking news, part alert network, the channel will give a global audience “on-the-ground” perspectives on breaking human rights events and underreported human rights stories often absent from mainstream media sources. Beyond the headlines, the channel will engage the wider context behind evolving controversies, and, where appropriate, point to campaigns and ways people can take action.

Read through for information about applying. And good luck!

To the extent that Twitter is offering news consumers of all kinds access to the information they want — regardless of whether that information consists of “user-generated content” or links to other media outlets — it is a competitor. And to the extent that it can offer better curation or aggregation or filtering or targeting of that content, it will win.

-Matthew Ingram from GigaOm You can read the full article here. (via jenleereeves)

FJP: I was going to write about this later today but thanks to #jenclass / Jen Reeves, now I just need to add a few cents.

What Matthew’s referring to is Twitter’s new hashtag pages that aggregate posts around a topic (such as this one for Nascar) along with the hiring of Mark Luckie as its creative content manager for journalism and the media.

Nascar example aside, the idea is that if breaking news happens, Twitter will be in a better position to launch a well curated, breaking news hashtag page than most (all?) media companies will be able to create and or curate content around the same.

Add to this what Dave Winer wrote last week:

A few years ago I was so sure that Twitter would be competing with news orgs that I urged them to start their own realtime networks to compete with Twitter. Just in case I’m right…

We’re still in the early days of online distribution of news. Twitter chose a cute little icon, like Mickey Mouse or Winnie the Pooh. But the sweetness and light will fade when Twitter gets competition. With news orgs going for very little money, and with tech networks becoming sink-holes for cash, how long before the money jumps the gap and Twitter buys a struggling news organization. Look at it this way. How long before Twitter carries exclusive content. Wouldn’t it be smart to develop some options?

Well, if you’re waiting for the news industry to get smart about tech, my guess is you’ll wait a very long time.

Tomorrow’s news will look very different from yesterday’s, and the major players will be very different as well. It might not be Twitter but both Dave and Matthew have very good points.

Be wary. But don’t be afraid. — Michael

[Tumblr] rocks! Why? Because unlike Facebook, I have a clean slate. Instead of being associated with my name and my real life being, I am a newly founded pseudonym if I so choose. No one knows that page is mine except for the selective friends I may choose or ask to follow me. But Tumblr isn’t about seeing what my friends are up to. In fact, I know the creators of less than a handful of the dozens of blogs I follow. Because of this, it turns into a tool for discovery, following members of the community who share my interests versus my friends who can get boring seeing as, at least during the school year, I know what’s going on in their lives every day. But these bloggers, who live lives I don’t see first hand, are neat to read about; they voice opinions that I care about and are hard to find organized anywhere else in such a way, and they share new things that few of my friends know about (which is why I mostly reblog: passing along the things that I love).

An anonymous teenager on Quora explains why a parent’s “15-year old daughter wastes hours upon hours everyday mindlessly scrolling rapidly through her ‘endless’ tumblr stream.” Quora: How do teenagers waste hours upon hours consuming Tumblr?

FJP: Only thing we might add: it’s not just teenagers that spend hours endlessly scrolling.

A good curator is thinking not just about acquisition and selection, but also contextualizing.
TEDx Poynter Livestream
The Poynter Institute is running a TEDx event today with a livestream available online. We missed the morning events but this afternoon’s run as follows:
Session 2: Curation
1:05 p.m. “In Praise of the Humble, Misunderstood Hashtag” — Sree Sreenivasan
1:30 p.m. “The Challenging Transition from Journalism to Entrepreneurship” — Burt Herman
1:55 p.m. “Real-time Curation in Storytelling” — Michelle Royal
 Session 3: Engagement
2:30 p.m. “@TampaBayTraffic: Connecting a Community Around a Shared Complaint” — Meredyth Censullo
2:55 p.m. “Do I Really Need to Learn How to Program?” — Lisa Williams
3:20 p.m. “Addicted to the Like: Ratings and Readership are the Old Metrics” — Elissa Nauful
The livestream is here. If following on Twitter, use the #tedxpoynter hash tag.

TEDx Poynter Livestream

The Poynter Institute is running a TEDx event today with a livestream available online. We missed the morning events but this afternoon’s run as follows:

Session 2: Curation

  • 1:05 p.m. “In Praise of the Humble, Misunderstood Hashtag” — Sree Sreenivasan
  • 1:30 p.m. “The Challenging Transition from Journalism to Entrepreneurship” — Burt Herman
  • 1:55 p.m. “Real-time Curation in Storytelling” — Michelle Royal

Session 3: Engagement

  • 2:30 p.m. “@TampaBayTraffic: Connecting a Community Around a Shared Complaint” — Meredyth Censullo
  • 2:55 p.m. “Do I Really Need to Learn How to Program?” — Lisa Williams
  • 3:20 p.m. “Addicted to the Like: Ratings and Readership are the Old Metrics” — Elissa Nauful

The livestream is here. If following on Twitter, use the #tedxpoynter hash tag.

The Ethics of Linking II: In Which We Weigh In on the Curator’s Code.
In a previous post, the Ethics of Linking, I discussed news organizations’ linking obligations. For example, when reporting a story, should organizations have to say who first broke the news? A hat tip is always polite, but don’t overwhelm your reader with links they don’t need to click-through.
The debate continues its way to the blogosphere and at SXSW Interactive festival, nestled itself upon the roundtables of curators and aggregators. David Carr reports on two new efforts to standardize digital content aggregation. The first, spearheaded by Simon Dumenco, along with reps from key digital publications, is a Council on Ethical Blogging and Aggregation. The second is Maria Popova and Kelli Anderson’s latest project: The Curator’s Code, which offers two unicode characters for attribution (ᔥ means “via”, ↬ means “hat tip”) that are easily pluggable in a post through a bookmarklet.
Yesterday, Marco Arment, creator of Instapaper, argued that codifying “via” links is confusing and misguided. He writes:

That’s how I feel about links in general: the source author creates something worth linking to, and the rest of us can link as we see fit, regardless of how we found it. The proper place for ethics and codes is in ensuring that a reasonable number of people go to the source instead of just reading your rehash. (via Marco.org)

Marco thinks in-line links are sort of useless, because no one really clicks on them anyway. Agreed. 
My personal take: Through my time at FJP and around tumblr, I’ve learned to credit a source with an in-line link if it’s not totally necessary to click on it and I’m definitely summarizing the key/relevant point in my post. After quotes or extended paraphrasing, I’ll stick in a via link. For thumbs-up to an organization or reporter that really deserves credit for starting up a conversation, I’ll stick in a hat tip. It would be great if symbols were standardized for these purposes, but at the moment, they do seem confusing and as much as I love bookmarklets, my collection is getting a little too big. 
In the spirit of helping internet journalism toward a clear and healthy future, at the FJP, we’re all for transparent links, complete with the letters “via” or “h/t”. 
Michael weighs in:

It’s not just a matter of giving transparent credit where credit is due. Transparent linking, and clearly spelling out to our readers where we’re getting our ideas from, is part of a larger effort to expose our audience to valuable primary sources that they may not know about and will hopefully begin to include in their future media diet.

To that I’ll add one thought. Credit and clarity aren’t simply the ingredients of good internet etiquette; rather, they are a means of adding value to our internet expeditions, and for journalism to continue to be a public service in the digital era, it might help to think of a blogger’s linking style as yet another tool that can reveal (or hide) much, and thus be harnessed for good communication.  - Jihii
Image: Screenshots from the FJP Tumblr

The Ethics of Linking II: In Which We Weigh In on the Curator’s Code.

In a previous post, the Ethics of Linking, I discussed news organizations’ linking obligations. For example, when reporting a story, should organizations have to say who first broke the news? A hat tip is always polite, but don’t overwhelm your reader with links they don’t need to click-through.

The debate continues its way to the blogosphere and at SXSW Interactive festival, nestled itself upon the roundtables of curators and aggregators. David Carr reports on two new efforts to standardize digital content aggregation. The first, spearheaded by Simon Dumenco, along with reps from key digital publications, is a Council on Ethical Blogging and Aggregation. The second is Maria Popova and Kelli Anderson’s latest project: The Curator’s Code, which offers two unicode characters for attribution (ᔥ means “via”, ↬ means “hat tip”) that are easily pluggable in a post through a bookmarklet.

Yesterday, Marco Arment, creator of Instapaper, argued that codifying “via” links is confusing and misguided. He writes:

That’s how I feel about links in general: the source author creates something worth linking to, and the rest of us can link as we see fit, regardless of how we found it. The proper place for ethics and codes is in ensuring that a reasonable number of people go to the source instead of just reading your rehash. (via Marco.org)

Marco thinks in-line links are sort of useless, because no one really clicks on them anyway. Agreed.

My personal take: Through my time at FJP and around tumblr, I’ve learned to credit a source with an in-line link if it’s not totally necessary to click on it and I’m definitely summarizing the key/relevant point in my post. After quotes or extended paraphrasing, I’ll stick in a via link. For thumbs-up to an organization or reporter that really deserves credit for starting up a conversation, I’ll stick in a hat tip. It would be great if symbols were standardized for these purposes, but at the moment, they do seem confusing and as much as I love bookmarklets, my collection is getting a little too big.

In the spirit of helping internet journalism toward a clear and healthy future, at the FJP, we’re all for transparent links, complete with the letters “via” or “h/t”.

Michael weighs in:

It’s not just a matter of giving transparent credit where credit is due. Transparent linking, and clearly spelling out to our readers where we’re getting our ideas from, is part of a larger effort to expose our audience to valuable primary sources that they may not know about and will hopefully begin to include in their future media diet.

To that I’ll add one thought. Credit and clarity aren’t simply the ingredients of good internet etiquette; rather, they are a means of adding value to our internet expeditions, and for journalism to continue to be a public service in the digital era, it might help to think of a blogger’s linking style as yet another tool that can reveal (or hide) much, and thus be harnessed for good communication.  - Jihii

Image: Screenshots from the FJP Tumblr


If you choose your own news, you’ll be less well read by Peter Preston
Digital news offers customers the choice of what they want to read. But print offers something extra: stories that people didn’t know they wanted to read until they had read them

I wanted to post this article because we talked a lot about this in Studio 20. My own thought on this is that if we made complicated issues easier to understand then people will want to read it.  As journalists, we need find ways to make direct links between the mortgage crisis and what it means for YOU the reader.  People want to read top news — digitally and through print.  More importantly, they want to read news that’s easy to understand. 
When I spoke to Tony Haile from Chartbeat-a live analytics service, he addressed the fear that Editors who take analytics seriously will end up doing a lot more stories on celebs and gossip and he’s found that the audience is smarter than that.  Sometimes a change in title or position of the post can change the click-through rates.  (This video will be up soon on the new FJP)
The solution is for us to not fear personalized curation of news but for us journalists to take advantage of the medium so that we can do our jobs better. 
- Chao Li @cli6cli6
What’s your take on personalizing the news? 

If you choose your own news, you’ll be less well read by Peter Preston

Digital news offers customers the choice of what they want to read. But print offers something extra: stories that people didn’t know they wanted to read until they had read them

I wanted to post this article because we talked a lot about this in Studio 20. My own thought on this is that if we made complicated issues easier to understand then people will want to read it.  As journalists, we need find ways to make direct links between the mortgage crisis and what it means for YOU the reader.  People want to read top news — digitally and through print.  More importantly, they want to read news that’s easy to understand. 

When I spoke to Tony Haile from Chartbeat-a live analytics service, he addressed the fear that Editors who take analytics seriously will end up doing a lot more stories on celebs and gossip and he’s found that the audience is smarter than that.  Sometimes a change in title or position of the post can change the click-through rates.  (This video will be up soon on the new FJP)

The solution is for us to not fear personalized curation of news but for us journalists to take advantage of the medium so that we can do our jobs better. 

- Chao Li @cli6cli6

What’s your take on personalizing the news? 

Romenesko Leaves Poynter

Maybe we should just resign ourselves that today is a day of resignation. We’ve talked Steve Jobs, we’ve talked Slate layoffs but now’s the time to talk Jim Romenesko.

For years now he’s curated the news about the news at his eponymous blog at Poynter.org. Literally, the man is a machine. And his curation Fu has been going on for far longer than the rest of us have curated our particular interests.

Via the New York Times:

Mr. Romenesko was a pioneer of a form of online journalism that is now commonplace. Sites like Gawker and Dealbreaker would become popular years later using similar models.

He identified the hunger for niche news, and connected his readers through an online community in which they could debate and comment on the story of the day. And if they had an internal memo they wanted to leak him, all the better. He would post it and guarantee anonymity. His last name became a verb that editors hoped they would never find themselves on the other end of — as in, “You just got Romenesko’d.” That typically meant one of their memos had leaked on his site.

It’s definitely a golden age for curators. Over the next five years, the amount of published information will increase exponentially. It will become more difficult for readers to assess and to evaluate the quality and the relevance of a growing database of content.

Rochelle Grayson, CEO of BookRiff, in an interview with O’Reilly Radar’s Jenn Webb.

BookRiff is a startup that let’s curators create, compile and sell books in digital and print formats.  

Thought another away: imagine turning your Tumblr into a book.

Via Poynter: 

NPR senior strategist and Twitter maven Andy Carvin tweeted an astounding 1,201 times this weekend, including 879 on Sunday, according to Twittercounter.com. The flurry came as he covered the escalating Libyan revolution. At the close of Sunday, Carvin noted he “wouldn’t be surprised if this is the most I’ve tweeted in a single day since Mubarak resigned. Around 900 tweets so far. Oy.” It is at least the most in the past six months, according to Twitter Counter.

Glad someone’s doing it but that’s insane.

Via Poynter

NPR senior strategist and Twitter maven Andy Carvin tweeted an astounding 1,201 times this weekend, including 879 on Sunday, according to Twittercounter.com. The flurry came as he covered the escalating Libyan revolution. At the close of Sunday, Carvin noted he “wouldn’t be surprised if this is the most I’ve tweeted in a single day since Mubarak resigned. Around 900 tweets so far. Oy.” It is at least the most in the past six months, according to Twitter Counter.

Glad someone’s doing it but that’s insane.

Sounds kind of Tumblry if Tumblr had a built in feed reader that users could set up within their dashboards. 

ramaamultimedia:

A bit about web curation site “Scoop It.”

This site feels a lot like a more interesting and visual “Delicious,” the social bookmarking site.

Scoop.it allows you to file and arrange content in a design conscious fashion - a magazine format, if you will. Which of course is shareable.

You can edit how and where on the page your curated items appear, change the headline, summary and the size of the pictures on the posts as well if you wanted - as though you’re a magazine editor.
 
The feature that is potentially of greater interest is the ability to add key words and allow it to scour social platforms for content related to your curation. (Yes similar to Google reader/alerts in a way)

In theory this should mean you wouldn’t miss a thing. However, in reality the terms don’t always bring up great quality content, particularly if you follow a huge subject like “Social Media” or  “Journalism!” I often end up posting articles which have been recommended to me on Twitter, G+ or email on Scoop.it via a very handy bookmarklet. By downloading it from the site onto your browser with one clip and interesting article you’ve found will end up on your “magazine.”


Very user friendly interface too. I just hope they improve the search functionality because that really would make it special.




Curated Social Media Comes Of Age During Oslo Attacks

Professionally edited new media feeds kept concerned citizens informed, without having to sift through an unfiltered global reaction.

for the whole article, please see FastCompany.com

Curated Social Media Comes Of Age During Oslo Attacks

Professionally edited new media feeds kept concerned citizens informed, without having to sift through an unfiltered global reaction.

for the whole article, please see FastCompany.com