When your heart stops beating, you’ll keep tweeting.
Tagline for LivesOn, a new app launching in March, that will algorithmically post your thoughts after you’ve died.
Via the Guardian:
Launching in March is a new Twitter app called LivesOn. The service uses Twitter bots powered by algorithms that analyse your online behaviour and learn how you speak, so it can keep on scouring the internet, favouriting tweets and posting the sort of links you like, creating a personal digital afterlife…
“It divides people on a gut level, before you even get to the philosophical and ethical arguments,” says Dave Bedwood, creative partner of Lean Mean Fighting Machine, the London-based ad agency that is developing it.
“It offends some, and delights others. Imagine if people started to see it as a legitimate but small way to live on. Cryogenics costs a fortune; this is free and I’d bet it will work better than a frozen head.”
I think when I die I’ll keep my thoughts to myself. — Michael
Pictures of people about to die, less final than images of death, capture a particularly powerful moment in the middle of a sequence of action—a child about to keel over from starvation, a woman about to be engulfed by a mudslide, a dirigible about to explode—and freeze it for repeated display and engagement. Focusing on the human anguish of people facing death, they replay this moment in news and beyond without necessarily showing visual evidence that the people in fact died. Viewers thus can and do go in many directions with an image’s interpretation—refuting death, debating its particulars, providing multiple and often erroneous contexts for its understanding.
Pictures of people about to die, less graphic than pictures of corpses and body parts, also play on different parts of a viewer’s psyche. Where images of dead bodies often push viewers away, creating a sense of distance and objectification, images of impending death do the opposite: They often draw viewers in, fostering engagement, creating empathy and subjective involvement, inviting debate.