Fashion Designers Experiment With 3D Printing
Fashion designers are using 3D printing to create garments, shoes, and accessories for their clothing lines.
3D printers follow instructions of computer generated blueprints to create one layer of material at a time until a piece of clothing is fully formed. According to Weburbanist, soles and fasteners aren’t necessary in 3D printed garments because of the architectural specificity of the blue prints; the apparel is designed to fit an individual’s exact measurements.
The materials for 3D printed clothing and accessories are lightweight, flexible, and easy to produce, and Continnuum Fashion, a fashion start-up company, has already recognized the benefits of 3D printing their garments. Continnuum offers customers the option to design their own clothes to be printed in-house. The clothes are printed when the order is placed, so time and materials aren’t wasted.
Via Huffington Post:
In the past, when designers go to the trouble of manufacturing a dress, they have to be confident of selling hundreds to make the cost of production worthwhile.
But 3-D printing flips that idea on its head. The technology cuts a designer’s manufacturing costs to zero until a customer has ordered a garment. As a result, designers can now afford to experiment in small batches and sell apparel in limited editions.
FJP: Careful hand-stitching can now be replaced by code. And with Staples now offering mini-3D printers for your own home, does this mean that we’ll be ordering and printing clothes right in our offices? Ehhh. Probably not for awhile.
Via Readwrite:
$1,300 for a hobbyist’s toy isn’t cheap. And that’s not counting the $50 per plastic cartridge holding 320 grams of material (0.7 pounds). Printing is expensive, whether it’s 2D or 3D.
Also, it can take HOURS to print a garment. And according to Mashable, the larger 3D printers necessary to print a full size pair of pants can cost upwards of $14,000. (And I thought ink cartridges for 2D printers were overpriced.) — Krissy
Image: Weburbanist
Do Social Media Sites Like Tumblr Need Their Own News Publications?
We learned last week that Tumblr is shutting down Storyboard — the news blog responsible for reporting on creative and noteworthy posts by Tumblr users. Tumblr’s cofounder, David Karp, posted his explanation for Storyboard’s closing on the site’s staff blog, saying: “What we’ve accomplished with Storyboard has run its course for now, and our editorial team will be closing up shop and moving on.”
Karp mentions that Storyboard partnered with the likes of WNYC, Mashable, Time, etc. and was even nominated for a James Beard Award (to name a few accomplishments). So, why is it best to “move on” when the project has been so successful?
The consensus (here, here, and here) seems to be that Tumblr needs to downsize to turn a profit this year. However, in an interview with The New York Times, Charlie Warzel, deputy technology editor at Buzzfeed, suggested Storyboard is closing because there’s no point in writing about what you can just go and see for yourself. He said:
It is always peculiar when a social network branches out into publishing, it just seems odd to bring on even excellent editorial talent to cover what is already going on organically.
And he’s not the only one who shares the sentiment.
The New York Times calls attention to Dan Fletcher (a journalism school graduate) who quit his “amorphous” job as managing editor of Facebook in 2012. His position required him to write about FaceBook trends. He said that reporters aren’t needed on FaceBook and that articles detract from user activity that is “inherently more interesting” than the articles themselves.
FJP: Why is it “peculiar” that an excellent editorial staff would be reporting on the “organic” events of social media communities? Isn’t that what journalists do? Just because social media communities exist in the cyber-verse doesn’t make them less newsworthy.
Admittedly, Storyboard and other social media news blogs (Facebook, Twitter, Pinterest) aren’t exactly watchdog reporters (they want to talk about the posts that make themselves look good, after all), and that should make us question whether these publications can really be “journalistic.” But social media news is in its larval stage. Maybe, in the future, social communities will be publishing articles about juveniles who break copyright laws, and sites will be locking people’s profiles in cyber-jail-blocks for weeks due to hazing. Surely, social sites are gonna need some objective, guardian watchdogs for that, right? Eh? — Krissy
Image: Screenshot from Storyboard.
Why False Rumors Spread on Twitter During Times of Crisis
Yasuaki Sakamoto, assistant professor at the Stevens Institute of Technology, conducted an experiment in behavioral psychology to test rumor-spreading on Twitter during times of crisis. The original hypothesis was that if a person read a rumor-tweet and then read a rebuttal tweet that criticized the rumor immediately afterward, the rumor-tweet would then have lower perceived importance, anxiety, and overall accuracy — meaning a person would be less likely to continue spreading the rumor-tweet.
To test this, 87 Japanese undergraduate and graduate students were exposed to 20 rumor-tweets and then 10 rebuttal-tweets about the 2011 Japan Earthquake.
The researchers discovered that when someone’s tweet is met with a criticism, it gives the tweet less credibility — making a person less inclined to spread the tweet associated with a criticism. The amount of people who stopped rumor-tweets actually increased 150% when people were exposed to rebuttal-tweets.
So, basically the original hypothesis was right. When people hear opposing views, they will be less inclined to spread rumors during a crisis. Spectacular. Funny thing, though…
via iRevolution:
“Whether a receiver is exposed to rumor or criticism first makes a difference in her decision to spread the rumor. Another interpretation of the result is that, even if a receiver is exposed to a number of criticisms, she will benefit less from this exposure when she sees rumors first than when she sees criticisms before rumors.”
So, even when someone is exposed to another point of view after she’s exposed to a rumor, the perceived importance, anxiety, and accuracy of the rumor will still be higher than that of the new opposing point of view. She’ll STILL be instinctually inclined to spread the rumor-tweet just because she heard it first.
With that in mind, one can assume that in times of crisis (when people’s perceptions are most likely influenced by belief or emotions), these people will be inclined to believe the first thing they read regardless of its validity.
FJP: So, how do we attempt to solve this issue?
Verily is a platform (currently in development) that will directly connect rebuttal-tweets to rumor-tweets with the intent of decreasing the spread of rumors during disasters.
Verily’s plan to connect contradicting tweets is a step in the right direction, but even if a rebuttal-tweet is a criticism, it doesn’t mean it’s a valid criticism. Is it any better if people believe the second tweet they read, if it’s just as incorrect as the first one?
How do we make sure that these tweeters can think critically and/or draw their own conclusions about a rumor-tweet without the helpful contradiction of rebuttal-tweets?
Michael Shammas of The Huffington Post thinks integrating philosophy into American education is the answer:
While some philosophies obviously conduce toward peace more than others, while some philosophers (Marcus Aurelius) seem kinder than others (Nietzsche), the open-minded study of different philosophies at least opens one up to the possibility that one is wrong. One realizes, like Socrates did, that knowledge is anything but certain, that true wisdom lies in realizing how much one does not know, in understanding that our knowledge of the universe (and therefore of earthly things like politics) is utterly inadequate, perhaps comparable to the area of a pin’s tip against a table. This realization makes one less angry when confronted with opposing views, replacing counterproductive anger with productive curiosity.
Is it better to combat ignorance and gullibility in the schools, or in the cyber-streets? Both? Both. — Krissy
Image: iRevolution
Our digital society is inflicting a Copernicus-like, far-reaching change in the structures of contemporary liberal democracies and the media as we know it. It is impossible and unnecessary to adopt defensive attitudes towards that change, even if we certainly know that the transition will be both difficult and painful.
Spain’s current media landscape is worrisome, mainly because of the economic crisis and the fast introduction of new technologies. In the last five years, the Spanish newspapers have cut more than 12% of its circulation and ad sales have plummeted 50%. Painful restructurings have resulted in 6,000 layoffs.
Such has been the collapse that we may well suspect that we are bottoming out. We face an absolutely necessary disruptive process that we have to endure in order to survive. It is impossible for me to predict the survival of newspapers as we know them, but in any case, people will always need the kind of “person that explains to the people what happens to other people.”
via fjp-latinamerica:
Juan Luis Cebrián, president of PRISA, in a thoughful op-ed published TODAY in El Huffington Post (in Spanish!).
More important, however, is the fact that PRISA, the largest media company in the global Spanish-speaking market, owns the influential Spanish newspaper El País.
Why? Because ironically enough, El País announced TODAY that it will fire workers and cut salaries next week (too much of a coincidence, maybe?). Via Reuters:
PRISA has not said how many workers will go, but local media said more than a quarter of the paper’s staff could be forced out.
“We can’t keep living so well,” PRISA Chairman Juan Luis Cebrián told staff on Friday, in comments published by the workers’ committee of the left-leaning paper, Spain’s best-read generalist daily.
One of the paper’s journalists, Carlos Cue, said on Twitter it was the “worst day in the history of El País”.
PRISA has made cuts across its various outlets, including business daily Cinco Días and radio station Cadena Ser. This latest round of cash-saving measures will be formalized on Tuesday.
The programme includes firing workers, early retirement for some and reducing salaries. Across the Spanish media, the average journalist’s salary has halved since the onset of the country’s financial crisis.
Furthermore, in a report by El Economista (Spanish news website, not associated with The Economist in any way), Cebrián is quoted saying that:
It is worrying that the median age [at El País] is 53 years old (189 staffers are older than 50 while only 10 are younger than 30), and that hinders our capabilities to achieve what we need in order to survive.
FJP: Politicians tend to leak newsworthy stories to journalists on Fridays in order to dissipate the buzz throughout the weekend. TODAY, regrettably, the news broke from within and everyone in the newsroom is concerned.
Respect
Doonesbury spends the week on the evolving journalism career of one of its characters. First strip in the series is here.
Select image to embiggen.
Huffington Post: 104,000 Sideboob Posts and Counting
Don’t get me wrong, I’m not against the boob, side, top, front or whatever, but this seems a little bit… obsessive.
Of course, in June, Arianna Huffington wrote to inquiring minds at the Guardian that the fetish is kind of an in joke that eventually resulted in a dedicated sideboob news page:
This was put together by our comedy team in response to a segment on Jon Stewart. Sorry if the context wasn’t clear.
Huffington’s note was then followed up by a member of the communications team:
Our editors created this page as a little bit of a joke on ourselves and the phenomenon. It’s a silly take on the silly side of celebrity culture and our coverage of it, which we believe our women readers get and appreciate. I hope this helps put it in the right context.
104,000 boobs and counting.
Image: Google search results for “Sideboob” on the Huffington Post.
We are the only people who can change this world. Again, I am only 10 and don’t have all the degrees yet but I think my thoughts are shared by many.
The Huffington Post’s David Wood won a Pulitzer for national reporting for a 10-part series called Beyond the Battlefield that explores the challenges Iraq and Afghanistan war veterans face after a decade of war.
HuffPo is the first online daily to win a Pulitzer.
Via Mashable:
The award may be Wood’s, but Huffington Post cofounder Arianna Huffington is a clear beneficiary. Over the past few years, Huffington has made a point of hiring experienced, well-known and (no doubt) expensive reporters like Wood.
The hirings are part of an effort to position the Huffington Post as a serious news organization — not, as former New York Times executive editor Bill Keller has described it, as an “overaggregator” of “celebrity gossip, adorable kitten videos, posts from unpaid bloggers and news reports from other publications… [with] a left-wing soundtrack.”
The complete list of winners is available at Pulitzer.org.
Via Forbes:
Huffington will be published weekly and will reflect the Huffington Post’s mix of original journalism and aggregated news, possibly with a small number of stories commissioned specifically for the magazine. Whether it will be a free or paid product hasn’t yet been determined. The Daily has shown that there’s a market for paid news apps; since its launch in early 2011, it has consistently been one of the top-grossing apps in the Apple store.
Whether readers would be willing to pay for a publication that’s mostly reheated content from a free website is a different matter, however. And then there’s the issue of charging for stories whose writers in many cases weren’t paid.
Noted, and probably good for HuffPo diehards, but I’m on the rather-view-a-news-org’s-site-than-app bandwagon. — Michael
[Arianna] Huffington could hope for more traffic but that’s reaching the point of diminishing returns, for her purposes; the site was not making her a quality-media mogul. It was time to use some of the profits to create a front window full of “important” original reporting, and in the short term to show she was on a level with people like (now former) New York Times executive editor Bill Keller by successfully hiring people away from him.
Via Digiday:
The video ad market is still heating up, but AOL is betting it will come to a boil very soon. It’s making a major bet with a new streaming service on Huffington Post that will launch in the summer and promises live content 12 hours a day, five days a week and hope to get up to 16 hours a day by 2013.
The service itself is ambitious, but even more so is the investment AOL is putting behind it: $30 million, according to an AOL source. HuffPo plans to create all the video itself. It will dedicate 100 employees to the operation. The scale of the effort would put it on track to be one of the largest producers of original for the Web video around.
‘Huffington Post’ Employee Sucked Into Aggregation Turbine
Horrified Workers Watch As Colleague Torn Apart By Powerful Content-Gathering Engine.
Via The Onion.
Via Simon Owens at Nieman Journalism Lab:
A few days ago, I clicked on a link to an Associated Press article published at the Huffington Post and reporting on a new AP poll that found widespread support for the Occupy Wall Street movement. Like hundreds of other news outlets, HuffPo subscribes to the AP and runs its articles to supplement the original content the AOL-owned company produces on its own.
A curious thing happened when I finished the article, however: I didn’t stop reading.
At the bottom of the piece, I came across a liveblog that published up-to-the minute news on the protests. The posts were a mixture of links, block quotes, reprinted tweets, and even small original news nuggets being reported by HuffPo journalists on the ground. All together, I probably spent an extra 20 minutes on the site than I would have otherwise. I began clicking around and found that HuffPo had embedded this same liveblog at the bottom of nearly every article concerning Occupy Wall Street.
Read through for the nuts and bolts of what HuffPo is doing, why they’re doing it and how they’re doing it.
Interesting is Nico Pitney, Executive Editor of the Huffington Post Media Group, observing how they identified three types of readers — the news browsers who just want the article overview, the junkies who want the immediate (liveblog) update, and the newsies who want both — and how they’re trying to satisfy each.
So this came across the Twitter today.
FluffPo: a delightful ongoing critique of the Huffington Post’s best (worst?) articles, in easy to eat Tumblr style.