For Syria’s war is characterised most strongly by absence and collective abandonment. Other than the protagonists and victims the arena is almost empty. There is no foreign military intervention. There are no NGOs or aid workers distributing food and blankets. The media is similarly self-exiled: very few broadcasters or newspapers commit journalists regularly, if at all. A handful of freelance photographers work inside the country, but none of the big names. The middle-aged bravehearts of Bosnia and Afghanistan have grown old and too soft for the hardships of Syria, while the economics of journalism have not allowed their replacement generation to prosper. That McCullin, still a prizefighter despite his years, had hauled himself out to that lonely war zone was inspiring in itself, legitimising the work of the few freelancers already there and challenging the absentees.
Anthony Loyd, The Australian. Parting shots.
That’s right: a 77 year old photographer named Don McCullin recently went to Aleppo to take his last set of photos, 15 years after his last war assignment. See the above article for an account of his trip as told by the much younger journalist in charge of his safety.
There’s no telling which photos from Syria’s revolutionary war will become famous and come to represent the conflict, if any do at all. For a great collection of pictures by other photojournalists in the country, see these. For more of McCullin, who is something of a legend in his line of work, see this bio and a portion of his photography from Vietnam and Lebanon.
Agence France-Presse and The Washington Post infringed on the copyrights of photographer Daniel Morel in using pictures he took in the aftermath of the Haiti earthquake in January 2010, District Judge Alison Nathan in Manhattan ruled.
From Reuters earlier today.
The photographer put the Haiti images on Twitter, and they were then disseminated widely after an AFP editor discovered them through another Twitter user’s account, according to the ruling.
AFP distributed several of the pictures to Getty Images, the ruling said. The Washington Post, a Getty client, published four of the images on its website, according to the ruling.
So Morel approached AFP, which then sued Morel on grounds that it legally used his photos. Morel sued back, and sued the Washington Post and Getty as well, though at the time of this writing Getty is not in the same boat as the publishers.
While the AFP argued Morel’s work was free to use once posted to Twitter, Nathan instead found that Twitter’s Terms of Service required that news outlets first get permission before running tweeted photos.
Nathan, however, did rule that the retweeting of such photos is allowed.
Twitter has long held that photographers own their tweeted content. The company’s Terms of Service section on copyright maintains that “Twitter respects the intellectual property rights of others and expects users of the Services to do the same.”
FJP: Should be interesting to see how this plays out.
You are not our customers, you are the cattle we drive to market and auction off to the highest bidder. Enjoy your feed and keep producing the milk.
The News, via CNET:
Instagram said today that it has the perpetual right to sell users’ photographs without payment or notification, a dramatic policy shift that quickly sparked a public outcry.
The new intellectual property policy, which takes effect on January 16, comes three months after Facebook completed its acquisition of the popular photo-sharing site. Unless Instagram users delete their accounts before the January deadline, they cannot opt out.
Under the new policy, Facebook claims the perpetual right to license all public Instagram photos to companies or any other organization, including for advertising purposes, which would effectively transform the Web site into the world’s largest stock photo agency. One irked Twitter user quipped that “Instagram is now the new iStockPhoto, except they won’t have to pay you anything to use your images.”
Read On: CNET, Instagram says it now has the right to sell your photos.